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Andrea Bocelli - Vivere:
Greatest Hits
It seems like a good
time for Andrea Bocelli to release his greatest
hits album. The death of Luciano Pavarotti
earlier this year has robbed opera music
of its great superstar as well as Italy
of one of its heroes, and Bocelli is well
placed to step into that void. He'll never
be as universally popular as Pavarotti without
anything as unifying as the World Cup and
Nessun Dorma to define him, while he's neither
as charismatic or bombastic a performer,
but there is no doubt that he has one of
the best voices in music today. After all,
back in 1992 when he was still an unknown,
Pavarotti himself was singing his praises
(not literally singing of course) and imploring
rock star Zucchero to do a duet with Bocelli
instead of himself, and while that didn't
actually work out at the time, it wasn't
long before he has a superstar in his own
right. Blind through glaucoma since the
age of 12, he has never let that stand in
his way, gaining international acclaim as
both a renowned tenor and a crossover classical
artist capable of duetting with the likes
of Christina Aguilera and Celine Dion as
well as making appearances in popular shows
like American Idol and Strictly Come Dancing.
One of his most recent notable performances
was at the funeral of his old friend Pavarotti,
while he played at the Concert For Diana
in the summer as well. Vivere is an excellent
collection of music from throughout his
career, from the early classics like Il
Mare Calmo Della Sera, which helped establish
him, to one of his biggest hits Time To
Say Goodbye, a duet with Sarah Brightman.
It's a nice mixture of his more operatic
performances with those aimed at crossover
audience, like his version of Besame Mucho
from last year's Amore album, and the blend
between the two makes the distinction pretty
difficult to notice to all but the most
snooty of opera purists. Anyone looking
for something like Nessun Dorma will be
disappointed though, as Bocelli is a very
restrained singer, rarely exploding into
dramatic life, but that's no bad thing,
because there is so much more to this kind
of music than that, and Bocelli's warm and
inviting voice is put to great use on all
of the tracks here. Whether or not you can
stomach Celine Dion's presence on The Prayer
is probably down to personal preference,
but Vivere is an essential purchase for
anyone who has seen Bocelli on TV and wants
to hear more.
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Groove Armada
- GA10
A few weeks
ago, Groove Armada released a new
version of their Greatest Hits album
to help kick off their 10th birthday
celebrations and now they are back
again already with the next stage.
But while that collection was targeted
at the kind of people who would see
it, remember having heard some of
their nice songs on adverts on the
telly, and then buy it, this one is
definitely for the fans. GA10: From
The Vaults 1997-2007 is a collection
of rarities, B-sides and remixes from
the last 10 years, taking in pretty
much all of their hits, but in a more
roundabout kind of way. It's been
split into two discs, each one chosen
and mixed by one of Groove Armada,
with Tom Findlay taking care of the
Uptempo disc and Andy Cato responsible
for the Downtempo one, which is quite
a nice idea for this kind of retrospective,
as it shows that they've at least
had some real input on it rather than
letting the ad-men decide like with
the obvious Greatest Hits album. The
split between Uptempo and Downtempo
works well too, taking the two sides
of their musical personality and focusing
on them individually, rather than
shoving them all together in a collection
that ends up all over the place. If
we had to state a preference we'd
go for the Downtempo disc, because
you can't really argue with something
that starts with Remember (featuring
those Sandy Denny samples) and ends
with a decent remix of the overplayed
At The River. However, the Uptempo
disc is also a lot of fun, and they
key here is that while Greatest Hits
sounded a whole lot too familiar due
to the fact that so many of the songs
are on TV everyday in adverts, the
mixes on here make the tracks sound
more fresh and interesting. By that
same token, if you are looking for
those songs that you know and love,
don't expect to find them here, because
GA10 is not for the casual Groove
Armada fan. It's very much for the
die-hards and as a retrospective for
them, it's certainly worth it and
provides a nice balance for their
anniversary releases.
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Crash My Model
Car - Ghosts And Heights
The OC may be
gone, but its influence on music continues.
Crash My Model Car are an indie band
from Scotland who are barely known
so far, but they've still had a song
appear on the show about spoiled brats
in California. Mind you, it's not
hard to understand why the makers
decided to use In Dreams, because
it does sound very American and particularly
very Death Cab For Cutie, who are
of course very 'OC' in the kind of
music they make. Quite how obscure
British bands like CMMC and Alabama
3 get noticed by big American TV studios
we'll never quite know, but while
In Dreams certainly won't have had
the kind of seismic effect on them
that Woke Up This Morning did to Larry
Love and Co, it is at the very least
a foot-up in the industry. And they
deserve it, because Ghosts And Heights
is a very good album that builds on
the promise of that opening track
with excellent tunes like Siren and
West Coast Train both using singer
Iain Morrison's voice perfectly (he
actually sounds quite a lot like Gary
Lightbody, but has a lot more good
tunes to sing). They may have a sound
that owes a lot to American alt-rock
(Morrison also sounds a bit like Ben
Kweller), but CMMC are still very
rooted in Scottish music as well,
and they fit in well with the likes
of Camera Obscura and Aberfeldy. Maybe,
from their debut EP, sounds a bit
out of place with its more straightforward
rock approach, but there's enough
use of the quirky keyboard refrain
to save it from being the album's
sore thumb. They are much better off
sticking to the slower, more reflective
material, because Maybe is an alright
song, but tracks like Island Scientist
show much more quality and class.
Crash My Model Car might struggle
to rise above the many other bands
making this kind of music, but they
have certainly come up with a great
debut album.
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