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The Counterfeiters - By James Ellaby

When German/Austrian film The Counterfeiters won the Best Foreign Film award at this year's Oscars, there will probably have been some scepticism about its selection, after all, how can any 'worthy' film about concentration camps in World War II fail to win an Oscar? You could also just about be forgiven for wondering what the point of another film about the horrors of life in these camps would be, given that Schindler's List dealt with it so graphically and movingly, while Life Is Beautiful brought the scale down to one family's struggles. However, The Counterfeiters isn't just another of those films and is certainly well worth watching even if you have seen both of those two, because it sheds light on an entirely different aspect of life in Nazi concentration camps. And it does it with plenty of quality, both in terms of the production and the acting, which is first rate throughout. Karl Markovics plays Salomon Sorowitsch, a Jewish master counterfeiter who is arrested by the Nazis and put into a camp, where he manages to avoid the worst treatment by drawing and painting for his captors, who still see him as scum, but allow him the odd little luxury. Soon he is moved on to a different camp, which is run by Herzog, the officer who had first arrested him, and Sorowitsch is put into a special area of this camp which has been set aside for making counterfeit money for the Nazis. Sally and his comrades are still prisoners and still face death at any moment, but they are treated much better than most, even getting proper soft beds to sleep on, but can they deal with the knowledge that what they are doing is helping their captors win the war? Based on a true story and the book by Holocaust survivor Adolf Burger (whose character plays a major role in the film), this is a story about survival, not heroism and in Sally, it has a central character who is a criminal and is mostly just looking out for himself, with his relationship with Herzog is crucial to keeping himself and the rest of his comrades alive, particularly when they start to sabotage the counterfeiting. The fact that they live in comparative luxury (unlike the 'Shoe Testing Team', who are made to march in circles wearing shoes that are too small, before being shot) is what makes this a different kind of concentration camp film, though they are still very much the victims and there are plenty of reminders of that. The Counterfeiters is a very intelligent and mature film that is well worthy of the acclaim it has received and sheds light on a side to this most awful of stories that most people aren't aware of.

Night Watch - By James Ellaby

The first thing to point out here is that this isn't the Russian fantasy action film Night Watch, nor is it the American thriller starring Ewan McGregor. It's the Danish thriller that the McGregor film was a remake of, and is directed by Ole Bornedal (who also helmed the remake). It tells the story of law student Martin, who takes a job as the nightwatchman at a local morgue to help pay the bills, but ends up getting tangled up with a serial killer who murders and scalps prostitutes. If that all sounds pretty grim and depressing, then it's a relief that Bornedal mixes up the dark stuff with the story of Martin and his girlfriend and his pain-in-the-neck best mate Jens, who gets him into all kinds of scrapes. The two mates keep on coming up with 'challenges' for each other as they struggle with the fact that they are growing up and becoming responsible adults, but as more and more disturbing things happen to Martin at his job, is Jens taking things too far, or does he have a dark secret? There aren't many famous Danish horror films around, and Night Watch is probably the only one, but it is a very entertaining and atmospheric movie, with good performances all round from the cast, while the direction is refreshingly lacking in the kind of extreme gore that a film like this would have to have if it was made recently (it came out in 1994). It's quite grisly enough with the implications of the horrible, horrible things that happen, and we really don't need to see them to know that, though you shouldn't get the impression from that statement that this is in any way a family movie, as there's a fair bit of full-frontal nudity to go with the obvious horror of the plot. It's not a classic by any means, but Night Watch is a great little thriller that keeps you hooked throughout and is certainly worth checking out.

Earth - By James Ellaby

The BBC rightly made a big deal of their astonishing Planet Earth series, which was as incredible as you'd expect something that took 40 specialist crews five years to film 1000s of hours of footage in 200 locations across 21 countries. Part of the concept behind Planet Earth was to condense the footage even further and turn it into Earth, a feature film with an ecological message behind it, highlighting the beauty and fragility of this world we live in and destroy on a daily basis. The effect of having seen the TV series already is that there is quite a lot that is familiar, though sometimes memory can trick you about whether that little young animal escapes from the jaws of death or not. That is one aspect of Earth (and nature shows like this in particularly) that your reviewer can never quite cope with, and it's a shame that such a visually stunning film so often shows animals being killed by other animals. Sure, it's nature and that's just the way of the world, but is it really an important part of a film like this when a seal is eaten by a shark, and do we really benefit from seeing it in super-slo-mo just because we can? It's spectacular, but not for me, and that makes Earth less enjoyable from my perspective. Fortunately, there's only a few moments like that, and the vast majority of the film focuses on the beauty rather than the savagery. Anyway, it's not the other animals who are causing problems, it's us, and that is the message that Earth seeks to get across, telling a loose narrative story that takes in polar bears, elephants and whales and their struggles to survive in a world that is being changed every day by global warming. The story of a male polar bear is the most affecting as he fights to find food in an Arctic world that is getting warmer and warmer, and there's a heartbreaking scene of this majestic animal floundering as it tries to get across ice that is barely there. If nothing else in the film gets the environmental message across to you, then his plight will.

The Ten Commandments - The Musical - By James Ellaby

The Ten Commandments - The Musical? It sounds like something you'd expect in an episode of The Simpsons or South Park, particularly with the tagline VAL KILMER IS MOSES. It sounds too much like a spoof to be something that anyone intended to be a serious musical, but that really is what it was meant to be when it was launched in Los Angeles back in 2004. I say 'meant to be' because it fails on almost every level to be anything more than a complete travesty of a show. It's always difficult to be so harsh on something that many people clearly worked hard to bring to life, and the cast aren't really to blame for the many problems, but you can only judge it on its merits and there aren't many of them. The acting is mostly fine and some of ths singing is very good indeed, but none of that matters when the songs are so terrible and the whole production is a joke. Quite how Val Kilmer came to be involved is a mystery, but it can't be something he is pleased to see appear on DVD, as his performance is one of the least convincing, while his physique is certainly the least impressive, with the Moses costume leaving him looking rather flabbier than a Hollywood leading man should. So why is this DVD even being brought out when the show was such a short-lived disaster? Well, the producer Max Azria has released it on his own, for reasons known only to him, as it only goes to remind everyone how bad this was. The music is cliched and dated-sounding, the lyrics are atrocious and so much of what happens is laughable, even when it really shouldn't be, like the opening scene of Egyptian soldiers throwing Hebrew babies to their deaths. Camp 'soldiers' chucking obviously plastic dolls to the back of stage is neither sombre nor impressive, and sums up how the only way anyone could enjoy this is in a 'so bad that it's good' kind of way. In that sense, it's hilarious...

Requiem From The Darkness Box-Set - By James Ellaby

Anyone with any lingering thoughts about cartoons just being for kids should try watching Requiem From The Darkness with anyone under the age of around 15 (well, they shouldn't really, because the certificate for this set is 18, but we're talking figuratively here) because they would hardly have a clue what is happening and would probably have nightmares about most of the stuff that they did understand. Based on novels by Natsuhiko Kyougoku, directed by Hideki Tonokatsu and featuring scripts from renowned anime writers Hiroshi Takahashi (who also wrote all three Ringu films) and Sadayuki Murai, this series is resolutely aimed at the more adult end of the market. It's not porn, though there are some sex scenes and the usual heaving bosoms that you'd expect from pretty much any anime series, but the Darkness in the title is there for a reason, because it's very dark. Wannabe author Momosuke is our 'hero' and his research into folk tales and horror stories leads him to cross paths with a mysterious and sinister trio who judge the karmic debts of wrongdoers and mete out suitable punishment. Which is usually death. But are they on the side of justice or just as evil as those who they punish? Requiem is a very unflinching series that takes in all kinds of subjects like incest, rape, cannibalism and even necrophilia, while it is presented in a very heavily-stylised manner, with all kind of gimmicks in the animation to keep it all looking dark, moody and edgy. And while it suffers from the usual anime problems (godawful theme song, irritating Japanese mannerisms, female characters that are basically just walking sex dolls), its willingness to go deep into the darkness means that it's rarely less than enthralling and certainly one for die-hard anime fans without a nervous disposition.

The Work & The Glory Box-Set - By James Ellaby

Does the idea of a film about the rise of the Mormon church in America sound exciting to you? No? Then you'll probably do well to avoid this box-set, because there's THREE films about the rise of the Mormon church in America, and they are all much of a muchness, which is to say that they are TV-movie quality in terms of production, script and acting. The Work & The Glory sees the Steed family travel from Vermont to upstate New York, but arrive to find a town being torn apart by religious divides, which soon split the Steeds too, which might sound like it has the potential to be powerful stuff, but is actually really tepid and ponderous. Sequels American Zion and A House Divided are much the same as the trilogy rolls along and tells its tale of the birth of a nation and of a church. The main problem is that the characters are so lifeless and poorly-constructed that it is difficult to really care what happens to any of them, with Mormon founder Joseph Smith particularly charmless and irritating, which is surely not meant to be the point. If you follow that Church, maybe there'll be plenty here for you to enjoy, but anyone else should really stay clear.