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The Counterfeiters
- By James Ellaby
When German/Austrian film The Counterfeiters
won the Best Foreign Film award at this
year's Oscars, there will probably have
been some scepticism about its selection,
after all, how can any 'worthy' film about
concentration camps in World War II fail
to win an Oscar? You could also just about
be forgiven for wondering what the point
of another film about the horrors of life
in these camps would be, given that Schindler's
List dealt with it so graphically and movingly,
while Life Is Beautiful brought the scale
down to one family's struggles. However,
The Counterfeiters isn't just another of
those films and is certainly well worth
watching even if you have seen both of those
two, because it sheds light on an entirely
different aspect of life in Nazi concentration
camps. And it does it with plenty of quality,
both in terms of the production and the
acting, which is first rate throughout.
Karl Markovics plays Salomon Sorowitsch,
a Jewish master counterfeiter who is arrested
by the Nazis and put into a camp, where
he manages to avoid the worst treatment
by drawing and painting for his captors,
who still see him as scum, but allow him
the odd little luxury. Soon he is moved
on to a different camp, which is run by
Herzog, the officer who had first arrested
him, and Sorowitsch is put into a special
area of this camp which has been set aside
for making counterfeit money for the Nazis.
Sally and his comrades are still prisoners
and still face death at any moment, but
they are treated much better than most,
even getting proper soft beds to sleep on,
but can they deal with the knowledge that
what they are doing is helping their captors
win the war? Based on a true story and the
book by Holocaust survivor Adolf Burger
(whose character plays a major role in the
film), this is a story about survival, not
heroism and in Sally, it has a central character
who is a criminal and is mostly just looking
out for himself, with his relationship with
Herzog is crucial to keeping himself and
the rest of his comrades alive, particularly
when they start to sabotage the counterfeiting.
The fact that they live in comparative luxury
(unlike the 'Shoe Testing Team', who are
made to march in circles wearing shoes that
are too small, before being shot) is what
makes this a different kind of concentration
camp film, though they are still very much
the victims and there are plenty of reminders
of that. The Counterfeiters is a very intelligent
and mature film that is well worthy of the
acclaim it has received and sheds light
on a side to this most awful of stories
that most people aren't aware of.
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Night Watch
- By James Ellaby
The first thing to point out here is that this isn't the Russian fantasy action film Night Watch, nor is it the American thriller starring Ewan McGregor. It's the Danish thriller that the McGregor film was a remake of, and is directed by Ole Bornedal (who also helmed the remake). It tells the story of law student Martin, who takes a job as the nightwatchman at a local morgue to help pay the bills, but ends up getting tangled up with a serial killer who murders and scalps prostitutes. If that all sounds pretty grim and depressing, then it's a relief that Bornedal mixes up the dark stuff with the story of Martin and his girlfriend and his pain-in-the-neck best mate Jens, who gets him into all kinds of scrapes. The two mates keep on coming up with 'challenges' for each other as they struggle with the fact that they are growing up and becoming responsible adults, but as more and more disturbing things happen to Martin at his job, is Jens taking things too far, or does he have a dark secret? There aren't many famous Danish horror films around, and Night Watch is probably the only one, but it is a very entertaining and atmospheric movie, with good performances all round from the cast, while the direction is refreshingly lacking in the kind of extreme gore that a film like this would have to have if it was made recently (it came out in 1994). It's quite grisly enough with the implications of the horrible, horrible things that happen, and we really don't need to see them to know that, though you shouldn't get the impression from that statement that this is in any way a family movie, as there's a fair bit of full-frontal nudity to go with the obvious horror of the plot. It's not a classic by any means, but Night Watch is a great little thriller that keeps you hooked throughout and is certainly worth checking out.
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Earth -
By James Ellaby
The BBC rightly made a big deal of their astonishing Planet Earth series, which was as incredible as you'd expect something that took 40 specialist crews five years to film 1000s of hours of footage in 200 locations across 21 countries. Part of the concept behind Planet Earth was to condense the footage even further and turn it into Earth, a feature film with an ecological message behind it, highlighting the beauty and fragility of this world we live in and destroy on a daily basis. The effect of having seen the TV series already is that there is quite a lot that is familiar, though sometimes memory can trick you about whether that little young animal escapes from the jaws of death or not. That is one aspect of Earth (and nature shows like this in particularly) that your reviewer can never quite cope with, and it's a shame that such a visually stunning film so often shows animals being killed by other animals. Sure, it's nature and that's just the way of the world, but is it really an important part of a film like this when a seal is eaten by a shark, and do we really benefit from seeing it in super-slo-mo just because we can? It's spectacular, but not for me, and that makes Earth less enjoyable from my perspective. Fortunately, there's only a few moments like that, and the vast majority of the film focuses on the beauty rather than the savagery. Anyway, it's not the other animals who are causing problems, it's us, and that is the message that Earth seeks to get across, telling a loose narrative story that takes in polar bears, elephants and whales and their struggles to survive in a world that is being changed every day by global warming. The story of a male polar bear is the most affecting as he fights to find food in an Arctic world that is getting warmer and warmer, and there's a heartbreaking scene of this majestic animal floundering as it tries to get across ice that is barely there. If nothing else in the film gets the environmental message across to you, then his plight will.
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The Ten Commandments - The Musical
- By James Ellaby
The Ten Commandments - The Musical? It sounds like something you'd expect in an episode of The Simpsons or South Park, particularly with the tagline VAL KILMER IS MOSES. It sounds too much like a spoof to be something that anyone intended to be a serious musical, but that really is what it was meant to be when it was launched in Los Angeles back in 2004. I say 'meant to be' because it fails on almost every level to be anything more than a complete travesty of a show. It's always difficult to be so harsh on something that many people clearly worked hard to bring to life, and the cast aren't really to blame for the many problems, but you can only judge it on its merits and there aren't many of them. The acting is mostly fine and some of ths singing is very good indeed, but none of that matters when the songs are so terrible and the whole production is a joke. Quite how Val Kilmer came to be involved is a mystery, but it can't be something he is pleased to see appear on DVD, as his performance is one of the least convincing, while his physique is certainly the least impressive, with the Moses costume leaving him looking rather flabbier than a Hollywood leading man should. So why is this DVD even being brought out when the show was such a short-lived disaster? Well, the producer Max Azria has released it on his own, for reasons known only to him, as it only goes to remind everyone how bad this was. The music is cliched and dated-sounding, the lyrics are atrocious and so much of what happens is laughable, even when it really shouldn't be, like the opening scene of Egyptian soldiers throwing Hebrew babies to their deaths. Camp 'soldiers' chucking obviously plastic dolls to the back of stage is neither sombre nor impressive, and sums up how the only way anyone could enjoy this is in a 'so bad that it's good' kind of way. In that sense, it's hilarious...
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Requiem
From The Darkness Box-Set
- By James Ellaby
Anyone with any lingering
thoughts about cartoons
just being for kids should
try watching Requiem From
The Darkness with anyone
under the age of around
15 (well, they shouldn't
really, because the certificate
for this set is 18, but
we're talking figuratively
here) because they would
hardly have a clue what
is happening and would
probably have nightmares
about most of the stuff
that they did understand.
Based on novels by Natsuhiko
Kyougoku, directed by
Hideki Tonokatsu and featuring
scripts from renowned
anime writers Hiroshi
Takahashi (who also wrote
all three Ringu films)
and Sadayuki Murai, this
series is resolutely aimed
at the more adult end
of the market. It's not
porn, though there are
some sex scenes and the
usual heaving bosoms that
you'd expect from pretty
much any anime series,
but the Darkness in the
title is there for a reason,
because it's very dark.
Wannabe author Momosuke
is our 'hero' and his
research into folk tales
and horror stories leads
him to cross paths with
a mysterious and sinister
trio who judge the karmic
debts of wrongdoers and
mete out suitable punishment.
Which is usually death.
But are they on the side
of justice or just as
evil as those who they
punish? Requiem is a very
unflinching series that
takes in all kinds of
subjects like incest,
rape, cannibalism and
even necrophilia, while
it is presented in a very
heavily-stylised manner,
with all kind of gimmicks
in the animation to keep
it all looking dark, moody
and edgy. And while it
suffers from the usual
anime problems (godawful
theme song, irritating
Japanese mannerisms, female
characters that are basically
just walking sex dolls),
its willingness to go
deep into the darkness
means that it's rarely
less than enthralling
and certainly one for
die-hard anime fans without
a nervous disposition.
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The Work & The Glory Box-Set
- By James Ellaby
Does the idea of a film about the rise of the Mormon church in America sound exciting to you? No? Then you'll probably do well to avoid this box-set, because there's THREE films about the rise of the Mormon church in America, and they are all much of a muchness, which is to say that they are TV-movie quality in terms of production, script and acting. The Work & The Glory sees the Steed family travel from Vermont to upstate New York, but arrive to find a town being torn apart by religious divides, which soon split the Steeds too, which might sound like it has the potential to be powerful stuff, but is actually really tepid and ponderous. Sequels American Zion and A House Divided are much the same as the trilogy rolls along and tells its tale of the birth of a nation and of a church. The main problem is that the characters are so lifeless and poorly-constructed that it is difficult to really care what happens to any of them, with Mormon founder Joseph Smith particularly charmless and irritating, which is surely not meant to be the point. If you follow that Church, maybe there'll be plenty here for you to enjoy, but anyone else should really stay clear.
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